Quarteto de Cordas de Matosinhos

Concert


Tuesday, 25th March 2024, 12:30pm-1:15pm

Raízes

Raízes (portuguese for “Roots”) features works by Eurico Carrapatoso, Telmo Marques, Sérgio Azevedo and Fernando Lapa for string quartet, commissioned by the Matosinhos String Quartet. They were challenged to write works inspired by melodies, dances and stories from the Portuguese traditional folklore. Carrapatoso and Lapa evoked their Mirandese (northeastern Portugal) roots, drawing inspiration from dances, lullabies, and romance stories. Marques’s Ilhas Afortunadas is dedicated to the islands of the Azores and Madeira, and is an allusion to the mythologies surrounding the islands. Popularuskia I, by Sérgio Azevedo, pays homage to composers Fernando Lopes-Graça and Béla Bartók for their pioneering work in the recording and study of folk music in their respective countries.

Portugal is made of places with magnificent landscapes, inhabited by animals and people that welcome strangers like their friends. They offer their table, their smile and their traditions to anyone who wants to visit them! It is the essence of the folk tradition! Embark with us on this journey of images that accompany the musical compositions of Telmo Marques, Sérgio Azevedo, Eurico Carrapatoso and Fernando Lapa.

 

Program

Raízes 

Eurico Carrapatoso – Llaços, contradanças e descantes

  1. Searas
  2. Rabatida
  3. Ninho
  4. Encomendação
  5. Malhadas

Telmo Marques – Ilhas Afortunadas

  1. Mare nostrum
  2. Baile da meia volta
  3. Conde da Alemanha
  4. Charamba

Sérgio Azevedo – Popularuskia I

  1. Quodlibet – Quase um madrigal (In memory of Joly Braga Santos)
  2. Rimanço (In memory of Joly Braga Santos)
  3. Nāo se me dá que vindimem I (In memory of Fernando Lopes-Graça)
  4. Nāo se me dá que vindimem II (In memory of Béla Bartók)
  5. Ó ó menino ó (for my dear friend Eurico Carrapatoso)

Fernando Lapa – Suite Mirandesa

  1. Por beijar el pingacho
  2. Mirandum se fui a la guerra
  3.  Cum ró-ró
  4. Senhor Galandum

QCM 

Aclaimed as a singular case of excellence (Diana Ferreira, Público, 2010), the Matosinhos String Quartet (QCM) was created by the Matosinhos City Council through a public competition. Since 2008, it has been a resident of this city, where it performs a regular season of concerts.

The QCM was chosen as one of the ECHO Rising Stars (2014/2015), nominated by the “Casa da Música” (Porto) and the Gulbenkian Foundation, performing a tour of 16 concerts in some of the most important European concert halls, such as the Barbican in London, the Concertgebouw in Amsterdam, the Musikverein in Vienna, the Philharmonies of Hamburg and Cologne, and the Konzerthaus in Dortmund. They also regularly perform in Portugal’s major concert halls, such as “Casa da Música”, the Calouste Gulbenkian Foundation, and the “Centro Cultural de Belém”, and collaborate with some of Portugal’s most distinguished musicians, including Pedro Burmester, António Rosado, Miguel Borges Coelho, António Saiote, Paulo Gaio Lima, and Pedro Carneiro.

The QCM and its members have been recognized with awards in the most important national music competitions, such as the RDP Young Musicians Award and the International Chamber Music Competition “Cidade de Alcobaça”. All members studied at the National Superior Academy of Orchestra and furthered their art in various prestigious schools, including the Escuela Superior de Música Reina Sofia (Madrid), Northwestern University (Chicago), and the Conservatoire de Sion (Switzerland)

The QCM also received specialized training at the International Chamber Music Institute in Madrid, where they studied with Rainer Schmidt (violinist of the Hagen Quartet) and worked in masterclasses with members of major string quartets, such as Alban Berg, Lasalle, Emerson, Melos, Vermeer, Kopelman, and Talich.

More recently, the QCM released the CD “Raízes,” an album that celebrates the Portuguese heritage through unique and original compositions for a string quartet, edited by NAXOS. Inspired by the tradition of our country, four renowned composers, Eurico Carrapatoso, Telmo Marques, Sérgio Azevedo, and Fernando Lapa, transport us to the world of traditional music, from Miranda to our islands, through new sounds in the light of contemporary musical writing.

 

Marisa Santos, Video capture and editing

Marisa Pereira Santos is PhD in Heritage Studies – History of Art (FLUP), with the research “Silêncio… a Foz vai doirando lentamente…” Território, Devoção e Práticas Culturais da Foz do Douro (FCT – SFRH/BD/145807/2019). She is Master in History of Art, Heritage and Visual Culture (FLUP) with the project “Vestígios: Fotografia&Memória”. She is also an integrated researcher at CITCEM in the Tangible and Intangible Heritage group. Since 2019/2020 she has been collaborating with FLUP in the scope of PEUS and PRR Training, as a Lecturer. Between 2022 and 2024 she worked as a Senior Technician in History of Art at CMG in the Hereditas Project.